Pirate Luthier update
What happened in June? I haven't quite launched the big give-away I was planning, but the Freegle ad looking for violin cases (to be able to give away violins that currently don't have a case) has led to a few interesting follow-ups. One was that I gave two childrens sized violins (numbers 10 with the neck glued back on and 14, a half-sized Lark) to an organisation that gives free initial violin lessons to children at festivals, so these two fiddles may be in use at Glastonbury Festival as this blog entry goes live. Very exciting.
It also led to two new violins coming into the pirate workshop. Number 26 is an old European model that I'm just setting up with a new bridge and then returning to its family. It was described to me as a 7/8 size (like the ladies violin from last year) but it's rather small for that, closer to 3/4 according to my measurements. With a matching bow that is also between 3/4 and 7/8 size. I'm loving the historic case lined with red felt, so I took lots of photos of the violin in its case:
The other just came in yesterday, so I'll write about it later.
List of violins in the pirate luthier series:
violin 1) is the one my late aunt had since the 1930s, which got me started. After restoring it in November 2022, I played it almost every day for 14 months, until number 5) showed up.
violin 2) is a Stentor student 1 (a very widely used brand of cheap fiddles available everywhere and still being produced). I bought it very cheap on gumtree, mainly because I needed a case for number 1). It has a fault that is probably not worth repairing, see the blog entry on number 3) below. After stripping it of some accessories and spares, I am now inclined to keep it in a semi-functional state to try out experimental repairs, i.e. use it as a wooden guinea pig of sorts.
violin 3) came from a folkie friend who moved away. I put the soundpost back in its place and it has now found a new home.
violin 4) is a modern Chinese one which I bought from one musical friend and sold to another, no work needed.
violin 5) (donated by a friendly freegler) was my second favourite and the one I played in folk sessions for roughly a year until number 22) showed up.
violin 6) is the half-sized Lark which was one of the six violins I gave away on freegle in June 2024.
violin 7) is a skylark from 1991 which I bought on gumtree for £ 10 and fitted with a new bridge. Good enough for folk I would say. It was one of the six violins I gave away on freegle in June 2024.
violin 8) is the "ladies violin", a 7/8 skylark. It was one of the six violins I gave away on freegle in June 2024.
violin 9) is the one which needed a new bridge and a tailgut and turned out to sound quite lovely on the E string. It was one of the six violins I gave away on freegle in June 2024.
violin 10) is the 3/4 sized one with a broken neck and traces of multiple repair attempts, which I've now repaired. I kept it for a couple of months to check the neck stays in place, then gave it away to a good cause in June 2025.
violin 11) is the 3/4 sold by JP Guivier & Co Ltd. in the 1950s but may actually be older than that. It was one of the six violins I gave away on freegle in June 2024.
violin 12) is a full-size Lark which a freegle user kindly donated and delivered after seeing my offer. It was one of the six violins I gave away on freegle in June 2024.
violin 13) is still broken
violin 14) is a half-size Lark which I gave away to a good cause in June 2025.
violin 15) is a 3/4 size Stentor student 2, which I gave away to a local school in October 2024
violin 16) is the Sebastian Klotz branded one, sadly not made by the Mittenwald luthier, but by Yamaha Malaysia, who appear to have trademarked his name.
violin 17) is the supersized violin with a very strong sound.
violin 18) is the slightly drunken but nice sounding violin from Poland, which I restored and returned to its family.
violin 19) is a Stentor student 1 violin which only needed a little TLC, and within less than a week I had it brushed up and ready to move to our local school. The most intriguing problem it had was that somebody had put in the bridge the wrong way round, with the lower slope under the G string.
violin 20) is a Stentor student 1 violin I bought via GumTree. It sounds really nice for what it is, thanks in part to a good set-up with Dominant strings. My current plan is to make this one an official Cowley Orchestra instrument.
violin 21) is a nameless student violin I bought via facebook, not quite sure what to think of it. The fingerboard is horizontal, which is all wrong and may mean there is not enough pressure on the bridge to produce a good sound.
violin 22) is the 19th century Guarneri copy, still my favourite (although I'll have to fix that crack at some point).
violin 23) is a nameless student violin I bought from a charity shop. It looks unused but had no strings, so I set it up with a set of spare strings that came with another violin. It turned out to be no trouble at all and sounds ok for an instrument that looks really cheap (with the purfling painted on).
violin 24) is the densely cratered one I found lying on a chair at Oxfam, and which I currently play at sessions.
violin 25) is the fleamarket find from Neuss
violin 26) is the lady in red described above, which has now rejoined its family.
Balance 27.6.2025:
Of the 26 violins listed above, 7 received via freegle, 3 from friends and family, 14 bought (gumtree, facebook, charity shops, flea markets, cost ranging £ 10 to £45), 2 taken in for repair only and returned to their families.
Of the 24 acquired, 8 given away via freegle, 2 given to a local school, 2 sold to musical friends, 1 moved to Germany for holiday practice, 9 currently in house and ready to play, 2 in house and still broken.
List of non-violins in the pirate luthier series:
guitar 1) is the 100 year-old one from Valencia which I set up with frets and strings and handed back to its owner.
guitar 2) is one I spotted in a charity shop "sold as seen" for a very affordable price with nothing more than a broken string, and I bought and repaired it because I knew the owner of the next one needed one while their guitar was out of service.
guitar 3) had a broken neck which I glued back on with hide glue at the same time when I repaired violin 10). It's holding so far.
and finally a shout-out to our family-built hammered dulcimer, which dates from 2016, long before I got any ideas about violins.
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