Sunday, January 25, 2026

turning violins inside out

Pirate Luthier update

Over the xmas period, I learned how to open up violins, glue cracks, and close them again. I practiced that on the not very special violin number 13 before addressing the quite lovely Guarneri copy number 30, the one which won the prize for the most beautiful case.

After the operation number 30 looks like this (still with the historic strings and tailpiece, which I'll upgrade before returning it to its owners):

In addition to the two cracks I repaired now, I discovered another two that had been repaired previously:

Note the label which says it is a copy of a Guarnerius from 1725 (as opposed to my favourite violin from my collection which is a Guarnerius from 1731). I really like the look of the inside of these instruments (see also the cello I opened up), with all the rough bits contrasting the smooth outside. Here's the inside again with my patches added:

... and the detached and repaired top from the outside:

... and the whole thing after closing up again:

After this glut of photos I'm sure you'll be glad to see the back of it:

It does have a beautiful back, doesn't it.

Number 13 (of which I used a photo in my year review) is also closed again, but it has some damage on the fingerboard which I'll have to sand down before I set it up, so I'll report on that next month.

I've now moved the list of instruments that pass through my pirate luthier workshop to a permanent page which I will update whenever necessary, independent of the blog entries.

PS While shopping for accessories for this violin, I discovered that CJ Stephens, where I buy some of my supplies, sells DIY violin making kits ...

Thursday, January 22, 2026

life of the station master of Adamsweiler

continuing with the ancient texts rescued from from my old website about the Weiss chronicles, here's the short biography of Christoph Gottlieb Kauer, so following up from generations 10-6 in this blog entry, we now come to:

5. The railway man

A fateful day

August 18th, 1870, must have been one of those days when everything goes wrong. Either that, or some people in very high positions were extremely stupid.

In either case, the early morning of that day saw some 200,000 German soldiers moving at an angle of 45 degrees towards a line of 112,000 French soldiers who occupied a safe position on high ground a few kilometre from the city of Metz, and who had had time to dig trenches for their protection. The strategic vision of the German commander, Helmuth von Moltke, was to outflank the French line. There were a few problems with that plan. First that he didn’t know how long that line was, as nobody had actually gone to check. Second that some of the generals at the front just ignored his orders to hold still and drove their men into the gunfire regardless.

On the other side, things went just as spectacularly wrong. General Bazaine, a distinguished soldier who had simply been promoted one step too far (in an early example of the Peter principle), did not even consider the possibility that he might be able to win this battle. His only ambition was to secure his retreat to Metz, which was to prove the trap in which Moltke eventually caught him. A single day of supreme stupidity and pointless slaughter left more than 12,000 French soldiers dead, wounded or prisoners. The German side counted 20,160 men who were left dead or wounded. Among the latter was a 25-year-old from Simmern, Christoph Gottlieb Kauer.

Christoph Gottlieb Kauer was born at Simmern in 1845 as the first child of shoemaker Mathias Kauer and his wife Sophie Weiß. He completed an apprenticeship as a shoemaker, but then worked as a clerk for a notary.

Simmern was then part of the Kingdom of Prussia. For young men this meant that they had to do obligatory military service for three years, starting at the age of 20, followed by another four years in the reserve and one year in the “Landwehr.” Thus, Christoph Gottlieb will have done his service years from 1865 to 68. In July 1870, when Bismarck’s infamous Ems telegram tricked France into declaring war on Prussia, he was well within his reservist years. Within two weeks of the declaration of war, he must have been in the army of over 1.1 million men dispatched towards French border.

Christoph served as a corporal in the 8th company of the 3rd infantery regiment of the 29th brigade. This was part of the First Army led by General Karl von Steinmetz (1796-1877), a veteran of many wars, starting with the liberation of Napoleonic rule in 1815. This time, however, Steinmetz soon became a liability by following his own impulses and ignoring the subtle strategies and direct orders of the chief of staff, Helmuth von Moltke (1800-1891).

This problem became most obvious in the battle of Gravelotte on August 18, 1870, the biggest and bloodiest battle of this war. Steinmetz was supposed to pin down his end of the French line near the village of Gravelotte while other parts of the German Army moved towards the far end to outflank the French. Moltke had stripped Steinmetz of the command of two of the Corps in his First Army, including the VIII Corps in which Christoph served. Furthermore, Moltke had ordered him to hold still during the 18th, to allow the left wing of the German armies time for the planned strategic move.

Around noon on that day, however, Steinmetz grabbed the command over the VIII Corps back without anybody’s authorisation. By 2:30 pm he had enough of sitting still and -- in clear breach of direct orders -- sent three of the four brigades of the VIII Corps, including Christoph’s 29th brigade, forwards in an attempt to take the farm St Hubert, an exposed outpost in front of the French lines. To get there, the infanterists had to advance across a ravine with no protection, utterely exposed to the French troups equipped with superior mitrailleuses and long range rifles.

The three German brigades didn’t have the slightest chance to get there and were mowed down within minutes. The survivors sought shelter and only much later managed to take St. Hubert, after the German artillery had forced the French out of it. And even then it didn’t bring them any luck and they had to evacuate it again before nightfall.

Legend has it that Christoph shouted “Hooray” a little too enthusiastically when storming towards French positions, allowing a projectile to enter his wide-open mouth and take a large chunk of his jaw-bone on the way out. He grew a rather large beard to cover up the disfigured jaw. But considering the many thousands who died on that day, he (and our lineage) had a lucky escape.

On the next morning, the German troups found that the French had given up and retreated to Metz, where Bazaine’s army surrendered on the 28th of October. By then, the empire of Napoleon III had collapsed, following the defeat of Sedan, where the emperor was taken prisoner. In compensation, Bismarck constructed a new German empire, under Prussian leadership, as King William of Prussia became the emperor William I on January 18, 1871. General Steinmetz was “promoted” to the position of governor of Posen in a move designed to keep him out of mischief (and out of what remained of Moltke’s hair!), while Bazaine was court-martialled and found guilty of treason for giving up too easily.

In spite of (or because of) this traumatic event, Christoph was an early enthusiast of the European idea, later inscribing his family bible with a short poem including the line: “Europa ist mein Vaterland.” In compensation for his battle injury he was offered a career in the railways of the newly conquered Alsace-Lorraine region, the state-owned Reichseisenbahnen in Elsass Lothringen.

Marriage

In 1874 he married Margarethe Imig (1847-1930), also from Simmern, daughter of Weißbender (a cooper who made smaller vessels for dairy and kitchen use from lightly coloured wood, hence the "white" part) Wilhelm Imig (1820-1877) and Regina Catharina Strack (1817-1877). These two had seven children and 40 grandchildren. Margarethe was number two, but number four, Elisabeth, is also of interest, as her son, Julius Düsselmann, married Margarethe’s daughter Helene Kauer, and these two happen to be my great-grandparents.

Margarethe’s ancestors are all from the Hunsrück area for as far as we can tell (to the 10th generation, counted from myself). The Imig lineage can be traced back to Mathias Immig, born 1657 at Fronhofen near Simmern. He lived to the age of 71, but his wife Magdalena outperformed him, reaching the age of 88, which for somebody born in 1651 must have been a miracle. This may be where Margarethe and her five daughters got their longevity genes from.

There is a lovely story of a bunch of would-be emigrants in the early 18th century, including an Imig family, coming from the Pfalz region and heading for America, who got stuck after some 200 km near Kleve, on the Lower Rhine, and founded a “colony” comprising the villages of Pfalzdorf and Luisendorf.

To this day, there are many Imigs in both villages. The most prominent of them was the historian and poet Jakob Imig, 1905-1994. The ancestors of the Imigs in this group of frustrated emigrants have been traced back to Peter Imig, born 1620 in Fronhofen and his wife Gertrud, who was born in Biebern (1621) but died in Fronhofen (1684). While the link to “our” Imigs cannot be established with certainty, Peter and Gertrud Imig might very well be the parents (or other close relatives) of Mathias Imig, who was born 37 later in the same village.

After the war, Christoph Kauer worked with the nascent railways in the Alsace region, moving along with the job, as becomes obvious from the different birth places of his children (Mulhouse, Morhange, Fontoy). His last appointment was that of a station master at Adamsweiler (Adamswiler), where three of his daughters got married in 1900-1907, and where he died in 1909. I have a picture postcard of Adamsweiler showing the railway station as one of the four “tourist attractions” of the village. In front of the station you see a lineup of a station master with a very big beard, his wife, his 5 teenage daughters, and the station staff. When I visited the place in 1989, the station at Adamsweiler was still standing, essentially unchanged, but boarded up and put up for sale.

After Christoph’s death, Margarethe went to live with her second daughter, Auguste Fuchs (see below) at Saargemünd (Sarreguemines), Lorraine. The area became part of France in the Versailles Treaty, and in June 1919 Margarethe was forced to leave. She moved to Bad Münster am Stein, where she lived with her daughter Johanna (or Auguste?) until she died in September 1930, aged 83.

There are quite a few objects from the household of Christoph and Margarethe still in the family today, including a 20-volume encyclopaedia (Pierer’s Conversations-Lexicon), a grandfather’s clock, the bible mentioned above, and six pieces of furniture.

Intriguingly, Christoph and Margarethe produced two sons who died in infancy, and 5 daughters who lived between 73 and 87 years (which, for children born in the 1870s and 1880s is quite an achievement). Clearly, they weren’t meant to spread the name Kauer any further. While two of the five daughters remained childless, the other three had a total of nine children, including my grandmother, her brother and sister, and their six first cousins. With a few of them my grandparents and my great-aunt still held contact when I was a child. Names including Nelly and Martha were mentioned frequently, only I didn’t have the faintest clue who these people were!

1. Christoph Gottlieb Matthias, born 12.10.1875, died within a month.
2. Johanna Sofia, born 9.11.1876 Mühlhausen, died 26.11.1953 Hahnenbach. She remained unmarried, worked as a secretary at Bad Kreuznach. In 1934, she took early retirement and used her savings to build the house at Hahnenbach, which is still in the family. The land was provided by the distant relatives from the Weiß/Schmidt/Weirich/Giloy lineage (descended from Maria Magdalena Weiß, second child of the teacher Christian Gottlieb Weiß). These families have been running the only pub in the village over centuries.
3. Auguste (1879-1952) married in 1900 Wilhelm Fuchs (1872-1963) Postinspektor at Münster a.St.
  1.   Helene (1901-1965) married Mr Petz
  2.   Natalie “Nelly” (1906-1984) married (1931) Christian Paust. One son, Dieter, and two grandsons.
4. Anna Katharina (1880-1965) married Heinrich Thiebold (1877-1948), a teacher from Brebach (Saar).
  1.   Erwin born 1902, died in infancy.
  2.   Martha (1907- ) married Willi Helmer, Saarbrücken, one son, two daughters.
  3.   Robert born 1910, married Aenne Schmidt.
  4.   Herta born 1917.
5. Louise Regina gen. Kätha (1883-1960), remained unmarried, served as household helper to her sister Helene.
6. Helene, married Julius Düsselmann
  1.   Ruth (1908-1993)
  2.   Werner (1911-1941)
  3.   Esther (1918-1983)
7. Karl (1888-1891) died of measles.

More details re the descendants in the Kauer Clan entry.

Update 25.1.2026: I created a new portal to navigate family history blog entries in the shape of a permanent Who Is Who page. This is because the old webpage at michaelgross.info will go offline on February 2nd.

Monday, January 19, 2026

the urban ecology of feeding birds and squirrels

Back in December, I spotted a research paper about the ecological impact of human-provided food on squirrel populations, and I started to wonder whether similar work exists for the various species of "garden birds" that many of us like to feed in winter. Incidentally, I installed an inherited bird feeder outside my window around the same time, to get some first hand observations in. (It may be an age thing, too.)

It's always fun writing about squirrels, but the most spectacular results I discovered were those of the hummingbirds in California. Due to the widespread use of feeding stations with fake nectar, these birds have extended their range dramatically and also undergone measurable anatomical evolution.

Read all about it in my latest feature which is out today:

Feeding change in urban wildlife

Current Biology Volume 36, Issue 2, 19 January 2026, Pages R31-R33

Restricted access to full text and PDF download
(Unfortunately, this year's features will no longer become open access one year after publication - do contact me if you would like a PDF. Last year's features will still move to the open archives as this year advances.)

Magic link for free access
(first seven weeks only)

See also my new Mastodon thread where I will highlight all this year's CB features.

My mastodon posts are also mirrored on Bluesky.

Last year's thread is here .

Squirrels like this Eastern grey squirrel (Sciurus carolinensis) thrive in urban parks and benefit from food supplied by humans. A study on the Eurasian red squirrel (Sciurus vulgaris) in Japan has shown that the urban populations also have improved reproduction chances compared with the rural ones. (Photo: Jules Verne Times Two/julesvernex2.com/CC-BY-SA-4.0.)

The same issue of CB also contains story of Veronika, the back-scratching bovine that probably wins the internet today (open access). I already saw a Guardian headline about it.

Thursday, January 15, 2026

chronicles of the Weiß family

This fundamental rock on which much of our family history is built has been on my website since time immemorial, but as I am now giving up on my hosting arrangement, I'll need to save it here (and update it a bit as well, with links to recent developments):

Back in 1891, a four-times great uncle of mine took the trouble of writing down the history of his family in some detail, in a document entitled “Familien Chronik der Familie Weiß” (cited as “the Weiß chronicles” below). My great great aunt Johanna Kauer borrowed this document from a cousin in the 1930s, copied it and added details of her own family.

It’s a story of refugees from the troubled Eastern parts of Europe whose descendants ended up in the Hunsrück mountain range beween Rhine and Moselle, and settled there for many generations. In the 19th and 20th century, there were moves to the West and East respectively, each time followed by a rather hasty return to the Hunsrück.

What is also remarkable about this lineage is that there are nine different professions in 10 generations (myself included). Therefore, I used the professions in the chapter titles, as they will facilitate navigation. For the same reason, the chapter numbering goes backwards, counting down to my generation as the number 1.

Table of contents:

I. The Weiß chronicles (1680-1891)

10. The merchant
9. The parson
8. The village mayor
7. The teacher

II. The Kauer family (1844-1972)
6. The shoemaker
5. The railway man
4. The businessman

I. The Weiß chronicles (1680-1891)

10. The merchant

Christian Weiß is regarded as the founding father of this lineage, only because we know very little about him and nothing at all about his parents. He must have been born around 1680 -- the only clues being the birth years of his son Johannes, 1704, and of Johannes’s future father-in-law, 1681. The Weiß chronicles state that Christian Weiß was a merchant who was born in Silesia, which then belonged to the kingdom of Bohemia, was evicted from there because of his protestant faith. The conflict between a largely protestant population and a catholic ruler in Bohemia was the ignition for the Thirty Years War. As the protestants lost and the catholic rule was re-established, many protestants fled. (By the way, all people in this story are Lutheran protestants, unless specified otherwise.)

However, Christian Weiß himself was probably too young to to be a Bohemian refugee involved in the immediate aftermath of the war, so maybe his parents were evicted. In any case, the chronicles say that Christian Weiß found refuge in Königsberg, without any further specification. We had always assumed that this was the city belonging to the Brandenburg-Preußen dukedom (which in 1701 proclaimed itself the Kingdom of Prussia under Frederic I, in a ceremony held at Königsberg). Another descendant of the Weiss lineage, however, found evidence suggesting that Christian Weiss (whose name may have been different, too) lived in a village called Königsberg in Hessen, close to the town of Wetzlar.

Christian Weiß settled there and had two sons with his wife Maria Elisabeth. We don't know her maiden name, but she may have family ties to the village of Seibersbach, because their son Johannes received his confirmation there.

A bit of number-crunching to fill the space: If, as 20th century research suggests, each person has a 90% probability of being the child of the man whom they believe to be their father, Christian Weiß still is more likely to be my ancestor than not, at 53 %. Just as well that we don’t know anything about his father, because that guy would only have just under 48 % chance of being the true founding father of the lineage.

9. The parson

Of Christian Weiß’s two sons, one stayed in Königsberg and took up his father’s trade, while the other, Johannes Weiß (1704-1772) studied theology at Gießen (which makes the village of Königsberg appear a much more plausible starting point than the city in East Prussia would have been) and came as a parson-in-training (Pfarrkandidat) to Dörrebach in the Hunsrück mountain range, just a few kilometers west of Bingen on the river Rhine. There he was appointed a parson in 1729. In May 1740 (according to the Eckweiler book, the Weiß chronicles claim it was 1742), he moved to a parsonage in Eckweiler (some 20 km deeper into the Hunsrück), where he remained a parson until his death in 1772. In fact the Weiß chronicles were written in that very same village nearly 120 years later.

The village of Eckweiler dates back to the 9th century, its church to around 990. Sadly, its history spanning more than a thousand years came to an abrupt end.

In 1979, the village was officially dissolved. Following the introduction of Phantom fighter jets on the nearby airfield of the Bundeswehr, the noise had become unbearable. The last 250 villagers were relocated to a brand new suburb of the nearby town of Sobernheim, and all buildings except for the church -- not the original building, but the same location where Johannes had held his service some 250 years earlier -- were demolished. Too hastily, as it turned out, as the end of the cold war also saw the Bundeswehr selling off the airfield to a car manufacturer who planned to use it as a test course, but never did. So Eckweiler, known locally as “the church without a village” is very nice and quiet nowadays.

The church of Eckweiler, the only building left standing of the historic village.
Source: Wikipedia / Von Devlaminck - Eigenes Werk, CC BY-SA 4.0,

There is a book about the history of Eckweiler, its church, and its parsons. According to this source, Johannes Weiß was a very assertive type of person, who would always make sure that everybody got their due. In first years of his 32-year tenure, he had the church renovated inside and out. His lasting legacy, however, was to be the village school, built in 1770.

According to the same book, Eckweiler had 157 inhabitants in 1769, all of whom were protestants. Johannes’s parsonage also extended to the neighbouring village of Daubach, with 80 inhabitants including 36 protestants.

In 1732, Johannes married Katharina Elisabeth Ebener or Ebner (1712-1750), the daughter of the parson of Alterkülz (still Hunsrück, but 40 km NNE of Eckweiler), Philipp Ebener (~1681-1734). The Weiß chronicles state that Ebener’s family was originally from Hungary and was deplaced by the Thirty Years War, but that must have affected Philipp's grandparents, as his father, Johann Jacob Ebner, was born in 1646 at Trarbach on the river Moselle, where he was a conrector, i.e. a teacher entitled to teach the final year pupils at grammar schools (Lateinschule). The school still exists today and has confirmed that Johann Jacob Ebner taught there from 1686 till 1708, and his son Philipp Nikolaus from 1708 till 1720, i.e. before becoming the parson of Alterkülz.

Note that the Ebener and Weiss folks of this generation must have been moving in the same circles as the writer W.O. von Horn (real name Friedrich Wilhelm Philipp Oertel, born in Horn), who comes from a family that includes five generations of protestant priests in that area. In fact at least four marriages of my direct ancestors happened at Horn, so some of these may have been officiated by a member of the Oertel family.

Johannes and Elisabeth had seven children,

1. Johannetha Weiß married a forester named Federkeil, at Gebroth (Hunsrück).
2. Johann Gottlieb Weiß, the future mayor of Pferdsfeld, a neighbouring village.
3. Regina Weiß married a Mr Weimar from Dörrebach.
4. Maria Elisabetha Weiß married Philipp Jakob Bauer, a parson at Enkirch, who later took over the parsonage of his father-in-law at Eckweiler. Maria died childless in 1819.
5. Marianne Weiß married Philipp Orth from Weiler near Martinstein, on the river Nahe.
6. Philipp Theodor Weiß became a private tutor for the counts of Solms, he drowned while hunting wild ducks in the back waters of the river Rhine.
7. Christian Weiß died while a student at university.

... of whom the second will be of interest for our lineage:

8. The village mayor

Johann Gottlieb Weiß was born in 1736 and went on to become the mayor of the village of Pferdsfeld (which, like Eckweiler, was evacuated in 1978-82 because of the military airfield). He married Anna Katharina André from Gebroth (a tiny village, just a few km E of Eckweiler). We know nothing about her family (except that the family name has survived at Gebroth to this day). Note, however, that Gottlieb’s older sister Johannetha had also married someone from the same village (see above), so there may be some sort of pattern.

Following the example set by his parents, they had seven children,

1. Johann Philipp Weiß, a teacher at Weiler on the river Nahe, married Anna Margaretha Kaiser, from Merxheim (Nahe).
2. Johannetha Weiß married Leopold Wagner from Winterburg.
3. Magdalena Weiß married Johann Fleischer from Pferdsfeld.
4. Philipp Weiß, a teacher at Gödenroth, and later at Winningen (Mosel), married Katharina Petermann from Allenbach.
5. Regina Katharina Weiß married Johann Fuchs from Eckweiler.
6. Christian Gottlieb Weiß, became a teacher at Hellenthal, Raversbeuren and Simmern u. Dhaun.
7. Maria Katharina Weiß, born in 1786, married a parson called Ried from Schauern (Hochwald) and went off to Rio de Janeiro, allegedly (here's what really happened).

... of whom the sixth will be of interest for the continuation of our lineage:

7. The teacher

Christian Gottlieb Weiß (1782-1867) is the earliest born ancestor of whom we have a photo. He worked as a teacher, at first in Hellenthal (Eifel, i.e. north of the Moselle). This is where he seems to have found his wife. In 1806, he married Anna Gertraud Käuer, (1777-1858; alternative spelling: Keuert) from Gemünd. Her parents, Tilmanus Keuert and Regina Catherina Freischmid were from Hellenthal (Eifel).

He then taught at Raversbeuren, and from 1819 until his retirement in 1853 at Simmern unter Dhaun, a village today known as Simmertal, not to confused with the main town of the region which is also called Simmern. They are both on the same little river, the Simmerbach, but Simmern unter Dhaun is close to where it joins the Nahe river (near Kirn), while the town of Simmern is upstream, on the highlands of the Hunsrück. Relative to Christian Gottlieb’s home village of Pferdsfeld, Simmern unter Dhaun is just 5 km SSE, so he may have jumped at this opportunity to work closer to his family home, after the previous jobs were much farther away.

The school at Simmern unter Dhaun can be traced back to 1563, for which year the village chronicles record that a teacher’s salary was paid. In 1824, five years into Christian Gottlieb’s tenure, the “protestant elementary school” had 126 pupils. The following year, 14 Jewish children joined them as well. In 1838, the position of a second teacher was approved, and in 1841 a Mr Schneider was hired.

In 1846, the school house, dating back to 1747, was extended with a second storey. Since then, it had two classrooms and two flats for teachers, plus a barn and stables. However, as these buildings were too small to get a proper farm going, the schools land was leased to local farmers. We don’t know whether either of the flats was occupied by the Weiß family (whose children were all grown up by then).

Christian Gottlieb’s earnings at that point were:
* 47 Thalers from the Fabry foundation
* free residence, firewood, small amounts of natural produce;
* as a sacristan, bell-ringer, and organist for the local church he also got 1 Thaler in cash and
* 22 Thalers worth of natural produce.

In 1851, Christian Gottlieb built a house with barn and stables where he then lived with his wife and the growing family of his daughter Henriette, who had six children with her husband Friedrich Kaiser. One of them, Johann Kaiser, moved into the house of his parents in 1913, after retiring from his job as a teacher in Cologne. The house stayed “in the family” for more than a century, until 1961.

In 1852, the government of the Kingdom of Prussia, of which the Hunsrück area was now a part, politely enquired whether Christian Gottlieb didn’t want to retire from his teaching job, as he was already 70 years old, and there had been complaints about him. He retired the following year, after 34 years as a teacher at this school. Mr Schneider took over as first teacher for a year, but in 1854 new teachers were appointed to both positions. He received a decent pension and was able to celebrate his golden wedding anniversary in 1856.

Anna Gertraud died in 1858, aged 81. Christian Gottlieb died in 1867, aged 85. The school house survives to this day, but is in residential use today.

Portrait of Christian Gottlieb Weiß taken in 1866, at which point he was retired, widowed, and a little bit forgetful, but otherwise fine, I guess.

Christian Gottlieb and Anna Gertraud had 8 children and at least 20 grandchildren. The fifth, and to some extent also the second child will be of interest for further developments, while the 7th is the author of the Weiß chronicles.

1. Karoline (Kornelia) Weiß, 1807-1877, married farm labourer and coachman (Georg) Philipp Fuchs, at Simmern unter Dhaun. Reportedly, there have been troubles related to alcoholism and tuberculosis in that family, but they still managed to have 11 children, born 1829-1851.
2. Maria Magdalena Weiß, 1809-1885, married Peter Schmidt from Hahnenbach. They had one daughter, (Caroline) Wilhelmine Schmidt, * 1848, who married Ferdinand Weirich, and from whom the Weirichs and Giloys at Hahnenbach are descended, who who kept the village inn until the late 20th century.
3. Johannetha Weiß, 1809-1879, married Friedrich Dick from Monzingen, reported to have set sail for America with “a stable full of children.” (Possibly because of the famine of 1845/46 triggered by potato blight.)
4. Karl Weiß, a railways man at Hamm (Westfalen), married Wilhelmine Schmidt from Hamm, had one daughter.
5. Sophie Weiß, 1815-1862, see below.
6. (Regina) Wilhelmine Weiß, 1817-1865, did not marry.
7. Christian Gottlieb Weiß, born ca. 1821, in 1844 married a widow, Maria Katharina Kessel, had two sons and two daughters. He is the author of the Weiß chronicles. His daughter Sophie Weiß married a Mr Kehrein. Their son Karl Kehrein married his cousin Lina Martin, also a great-grandchild of the teacher C. G. Weiß (via his 5th child, Sophie, the next stop in our lineage). Through Karl Kehrein, who was a baker at Kirn and knew my great-great aunt Johanna Kauer, the Weiß chronicles came to our knowledge. Sadly, however, Karl Kehrein’s descendants don’t know what happened to the original.
8. Henriette Weiß, 1822-1895, married Friedrich Kaiser, had 6 children: Karl, Fritz (2 children), August (3 children), Johann, Hermann ...

II. The Kauer family (1844-1972)

From this point onwards, we leave the original contents of the Weiß chronicles. My great-great aunt, Johanna Kauer, who had saved the chronicles for our family by copying them from an original held by her second cousin Karl Kehrein, seamlessly turned them into the Kauer chronicles by adding details of her own family. Increasingly, the following events are also backed up by original documents which we still hold.

6. The shoemaker

Sophie Weiß (1815-1862) was born at Raversbeuren, during the second placement of her father’s teaching career, but mainly grew up at Simmern unter Dhaun, where the family settled in 1819. In 1844, she married Mathias Kauer (1813-1885), a shoemaker from the town of Simmern, the administrative centre of the Hunsrück area, some 15 km N (and upstream) of Simmern unter Dhaun.

Simmern had officially been a town since 1330. More intriguingly, it was the capital of an independent country, the dukedom of Palatinate-Simmern, for a quarter of a millenium, from 1410 to 1673. Look at it now, and the idea seems absurd. Tragedy struck when the last duke died without a successor and the French king Louis XIV laid claim to the territory for his family, but didn’t get the approval of the German nobility assembled in the Reichstag.

In 1689, French troups burned the town, blew up the castle, and demolished the fortifications. The town’s archives were lost and Simmern’s time of glory went up in smoke along with the rest of it. Very slowly, the town recovered from its darkest hour. By 1800, it had some 2000 inhabitants and was the centre of the canton Simmern with some 12,000 inhabitants.

In October 1794, French troups conquered the Hunsrück area, and General Bernadotte took over Simmern. The town remained French throughout the reign of Napoleon Bonaparte, who introduced his characteristic brand of administration to the Hunsrück. After Napoleon’s demise, Simmern fell to Prussia, where it remained until Germany was united in the empire of 1871. Today it is a perfectly average small German town. Practically nothing reminds the visitor that it once was the capital of a country.

When Sophie Weiß came to Simmern to marry Mathias Kauer, the Kauers had been at Simmern for two generations. Mathias’s father Christoph Kauer, also a shoemaker, had been born there in 1785, but Mathias’s grandfather Christian Kauer, a linen-weaver, settled there in the 18th century, coming from nearby Kirchberg. Christian Kauer’s wife, Maria Magdalena Hebel (1747-1790), on the other hand, came from an old Simmern family and had a minor claim to (reflected) fame, as a first cousin of the author Johann Peter Hebel (Das Schatzkästlein des rheinischen Hausfreunds). Hans Jakob Hebel, who may or may not be an 11th generation ancestor of mine, was a tanner and Bürger at Simmern. He got married in 1639 and died in 1651.

This is the founding couple of the Kauer clan. They had eight children, six of whom lived to adult age, and 18 grandchildren, listed here.

Much of the info on the old website that followed after this point (generations 5 and 4) has been superseded by things I published on the blog in recent years, so I may not need it here any more. I'll link to the relevant entries and maybe create a couple of new entries specifically for each generation:

5. The railway man: Christoph Gottlieb Kauer 1845-1909 from Simmern is Number 2 in this blog post, the longer biography which I originally wrote for the website with the Weiss chronicles is now here.

4. The businessman Julius Düsselmann has appeared in my series Every picture tells a story several times, eg here.

Update 25.1.2026: I created a new portal to navigate family history blog entries in the shape of a permanent Who Is Who page. This is because the old webpage at michaelgross.info will go offline on February 2nd.

Sunday, January 11, 2026

website on the move

I haven't updated my dear old website for a few years (because life was moving fast and the process of uploading files to the site was painfully complicated), and a recent invoice revealed that the cost of hosting it was rising to more than a dollar a day, which made me realise that this arrangement was rather a waste of money.

screenshot of my index page which apparently I haven't changed since January 2012

As a temporary fix, I have now created permanent "pages" on this blogspot account, including one for my homepage, to which my domain name www.michaelgross.co.uk points, as well as an updated version of my whoIam biography page and the list of my books. This was also an opportunity to get rid of the numerous am*zon links I still had on my book pages from the early days before enshittification. I'm giving up on the list of all my articles, which I hadn't updated beyond December 2020 and on the family history page as these activities are now better represented by the relevant tags on the blog. The hosting service of the website ends on February 2nd.

A history of my website is here. The full version continues to exist on my hard drive and various USB sticks of course, so I may resurrect it elsewhere at some point, maybe on the occasion of its 30th birthday in December ...

Update 25.1.2026: I created a new portal to navigate family history blog entries in the shape of a permanent Who Is Who page.

Monday, January 05, 2026

stopping the shark trade

A rare bit of good news for marine biodiversity arrived last December from the unlikely location of landlocked Samarkand, Uzbekistan. The 20th conference of the signatories to CITES (Convention on International Trade in Endangered Species of Wild Fauna and Flora) significantly enhanced the protection of sharks and rays. Time for another feature about cartilaginous fish, or as I now like to call them: chondrichthyans:

Chondrichthyans at the crossroads

Current Biology Volume 36, Issue 1, 5 January 2026, Pages R1-R3

Restricted access to full text and PDF download
(Unfortunately, this year's features will no longer become open access one year after publication - do contact me if you would like a PDF. Last year's features will still move to the open archives as this year advances.)

Magic link for free access
(first seven weeks only)

See also my new Mastodon thread where I will highlight all this year's CB features.

My mastodon posts are also mirrored on Bluesky.

Last year's thread is here .

An oceanic whitetip shark (Carcharhinus longimanus, Critically Endangered) observed at Elphinstone Reef, Egypt. The species has now been added to the Appendix I of CITES, meaning that all trade is banned. (Photo: Polygonia c-album/Wikimedia Commons (CC BY-SA 4.0).)

Sunday, January 04, 2026

a coconut fiddle

In december I discovered an unusual kind of two-string fiddle at a charity shop. It was lacking the pegs, strings and bridge, the body is a coconut shell with holes that seem to be carved to create the image of an angry cat (or is that me imagining things?):

I think it may be some sort of Asian instrument. The Vietnamese dan gao also appears to have an artfully carved backside (though not necessarily cat-faced). Southern coastal China and Taiwan have a coconut fiddle known as yehu, apparently, where the "ye" syllable specifies that it's made out of a coconut. The Indonesian kongahyan is also similar. If anybody happens to know anything about this sort of instrument, all hints appreciated.

As I couldn't find an exact equivalent to inform me about the set up required, I just improvised something with the materials I happened to have:

The bridge is half a bamboo ring which I previously used on violin 1) before cutting a proper bridge for it:

and the pegs are just sticks from a shrub (Philadelphus coronarius, I think) in our garden.

It does sound nice on the open strings, but the harmonics aren't all that great, so I'm now wondering whether to put the strings much closer to the stick or to add some rings around the stick as frets. Either approach would make it easier to produce higher notes by pressing down the strings. Some of the Asian instruments on Wikipedia also seem to have the strings shortened by a loop tied around the neck and pulling them down. Oh and I should make a bow for it too. Watch this space.

PS the list of instruments I have taken on for repairs is now on a permanent page which I'll update as I go along:
pirate luthier logbook

Wednesday, December 31, 2025

the year of global enshittification

In the year of the accelerating global enshittification of everything, I managed to find some joy in messing with musical instruments in one way or another.

The pirate luthier workshop has been busy throughout the year, with 12 violins, 2 guitars, 2 cellos coming in, as well as a small kora and a lute-like instrument made from a coconut shell yet to be identified. I've recently braved the challenge of opening up instruments, practicing the procedure on violin number 13:

and cello number 2 (a 3/4 from freegle in very poor condition) before applying it to more interesting instruments. Next step is to glue and patch up the cracks, oh and eventually I'll have to stick the instruments together again. Watch this space.

I'm especially excited when I discover old (from the 1960s or earlier) European instruments. Highlights this year include my new favourite violin, my new session violin, and a 19th century cello. The instruments list at the end of this entry is likely the last one where I include almost everything (give or take a kora and a coconut lute), and in the new year I will have to figure out a mechanism to archive the older entries and keep the length of the list to a manageable size.

In terms of music making, the holiday chamber groups have become a regular thing this year, covering nearly all of the Wednesdays that didn't have orchestral playing. The chamber music collection is growing more slowly these days, as I keep finding things that I own already, such as the Mozart and Haydn quartets. There has also been another FOFO orchestral playday with another Farrenc piece (the overture) and we borrowed last year's Farrenc symphony for a term to play it at Cowley at one of our feature evenings.

There have been a few EuroPlus sessions at the bandstand, but by the time autumn came around, the session merged into the Bal minuscule which now happens on the fourth Sunday of every month (except December). The Euro session has now moved to the Half Moon which is much more convenient for me, and I'm loving the new session at the Oxford Blue which is also within easy reach. I also love the Sunday sessions at the Lamb & Flag - this US based ethnographer studying British pubs on his summer holiday caught a second of me playing fiddle in his short video clip.

After hearing an inspiring oud recital in October, I've finally managed to get my head round the playing of the oud I bought a few years ago - it is basically an upside-down cello, with the four melody strings going ADGC and the bass strings just repeating the DG an octave below. As the string length is similar to the cello, the fingerings work, they are just mirrored.

I completed the second season of my lost cities blog series. Using the series as a travel guide for trips with Deutschlandticket, I have explored Idstein, Gütersloh and Hamborn this year, as well as revisiting Wuppertal (where I explored the old new town hall) and Münster.

During last year's November visit to Düsseldorf I invested in a Gildepass which gives you access to cheaper tickets in arthouse cinemas. During the one-year running time of the pass I have used it 12 times (making an effort to also attend the other local cinemas that accept it, not just the one in my street), and seen some amazing European movies of the sort that nowadays don't get shown in the UK any more. Including: Mü & Kandinsky, Oxana, La venue de l'avenir, Franz, as well as two that later actually did make it to the UK, namely From Hilde with Love and The Marching band.

dus1897

A selfie from the fleamarket at Aachener Platz, Düsseldorf.

There has also been a full set of 24 features in Current Biology again, listed in this Mastodon thread. And I did get some really interesting books to review for C&I, while also making an effort to review on this blog most of the books I just read for fun.

I did not review Cory Doctorow's book "Enshittification" which I am sure is excellent (judging from the excerpt published in the Guardian), but I did manage to use his word in my review of the book How to think about AI, as AI has been the turbocharger that sent enshittification into overdrive this year. Ooops. looks like the word has been edited out at the last minute. Maybe by some enshittifying AI that didn't like being called out.

updated 2.1.2026 to add the Lamb & Flag sessions and the last sentence.

Previous year reviews (I don't always write one):
2024
2022
2021
2018
2017

Tuesday, December 30, 2025

random old books revisited

Way back when (OK, it was 2009) we rescued more than 100 old books from going to landfill. We donated some to Oxfam, put some on our shelves, and offered the rest for sale on Amazon marketplace (before Amazon enshittified everything). After I sold a few, Amazon added some hoops to the procedure that I didn't want to jump through, so I stopped using the site. The remaining 45 books have been sitting in our attic for ten years, but now I've brought them down to check if there is anything of interest to me that I missed back then (there wasn't really), and hopefully to rehome some or all of them.

The books date from 1916 to 1977. The list of stock right now looks like this:

Novels, plays, Poetry (33 titles):

Lascelles Abercrombie (1881-1938): Four short plays, Martin Secker, FE 1922

Lascelles Abercrombie (1881-1938): Twelve Idyls and Other Poems, Martin Secker, FE 1928 These two books have matching outfits.

Herbert Asquith: Young Orland, Hutchinson & co. fifteenth edition Author is the son of the prime minister Herbert Asquith

Douglas Brown (ed.): A book of modern prose Harrap, London, FE 1957

Gerald Bullett (1893-1953): Nicky Son of Egg (FE 1929)

Arthur Gray Butler (1831-1909): Harold, A drama in four acts (SE 1906, orig. 1892). The author was the dean of Oriel College, Oxford.

Donn Byrne: Destiny Bay Sampson Low, Marston & Co London, undated edition, text dated to 1927

F.J.Harvey Darton: Without fear and without reproach – the adventures of the famous knight Bayard. Wells Gardner Darton & Co, London, undated

Oliver Davies: Songs at random (FE 1912) Poetry from the author of “Between-time poems”

Walter D. Edmonds (1903-1998): Chad Hanna (1942 reprint of 1940 publ.) US author of historical novels

Leonard Feeney: In towns and little towns (poetry) The America Press, NY, 1928 Contains a type-written poem by the same author, implying a triangular friendship with two women named Ruth and Grace (who received the book as a gift from somebody else). As Wikipedia seems to suggest that Feeney was a catholic extremist with antisemitic views, I am wondering what the deal was with these two ...

Paul Fox: The Daughter of Jairus, W.H Allen, London, date ?????

Sir John Froissart: The Days of Chivalry: Stories from Froissart’s Chronicles, edited with an introduction by John Hampden, Edmund Ward date???

Halcott Glover: Morning Pride (FE 1933) Novel by a UK playwright, friend of Richard Aldington, to whom there is a letter at the front. o

A.D.Godley: Lyra Frivola (poetry) Methuen London 4th ed. 1907 Acquired by Trinity College Oxford in 1935.

Jackson Gregory: The Everlasting Whisper, Hodder & Stoughton 1922 (FE?)

Maurice Hewlett: Peridore & Paravail W. Collins Sons & Co London FE 1917 Ex Libris Albert Louis Cotton

Charles Lee (1870-1956) : The Widow Woman, Wayfarer’s Library, J. M. Dent & Sons Ltd date???

D. M. Low: Twice shy (a novel) Chatto & Windus London FE 1933

John P. Marquand: H.M. Pulham, Esquire Undated edition, foreword dated 1940. http://en.wikipedia.org/wiki/John_P._Marquand

Alida Monro, ed.: Recent Poetry 1923-1933 (FE 1933) The editor appears to be the widow of the poet Harold Monro (1879-1932), who is also represented in this anthology.

E.C. Oakden and Mary Sturt: Pattern plays Thomas Nelson and sons, London 1956 (originally publ. 1925)

Edward A. Parker: A book of longer modern verse OUP / Clarendon Press, Oxford, 1926

Edward B. Powley: The Laurel Bough: An anthology of verse (1380-1932) excluding lyric and dramatic, G. Bell and sons, ltd 1934 FE

Alfred Tresidder Sheppard: Brave earth Jonathan Cape, London. Reprint of FE in same year (July 1925, FE was April)

Leonard Shoobridge: Poems No publication date, but purchase or gift date 27.9.1920 written inside front cover.

J.C. Snaith: Lady Barbarity: A romantic comedy, Ward, Lock & Co., Limited date???

Booth Tarkington: Monsieur Beaucaire; The beautiful lady. Thomas Nelson & Sons, undated (looks like early 20th century)

Darwin L. Teilhet (1904-1964): The fear makers (UK FE 1946, c 1945) This novel was turned into a movie in 1958, The Fearmakers.

Sylvia Thompson (1902-1968): The people opposite (FE 1949)

Agnes Sligh Turnbull (1888-1982) The Gown of Glory (Originally published: Boston Houghton Mifflin 1952, this is the 3rd printing of the UK Collins edition, Oct. 1952) http://en.wikipedia.org/wiki/Agnes_Sligh_Turnbull http://en.wikipedia.org/wiki/The_Gown_of_Glory

Elinor Wylie: Mr Hodge and Mr Hazard, Heinemann 1928 (FE)

E.H. Young: The Misses Mallett Jonathan Cape, London, 1949 reprint, first publ. 1922

Non-fiction (12 titles):

Gerald Bullett: The Story of English Literature, A& C Black ltd 1935 FE The author also has a title on the fiction list: Nicky son of Egg

Harold Gomes Cassidy: The sciences and the arts. FE 1962

S. J. Curtis: Education in Britain since 1900 FE 1952

G. Lowes Dickinson: A modern symposium J.M.Dent & sons, London 1923

William J. Entwistle and Eric Gillett: The Literature of England A.D. 500-1942: A survey of British literature from beginnings to present day, Longmans, Green and co, 4th edition 1944

Graham Hutton: We too can Prosper: the Promise of Productivity, George Allen and Unwin ltd , 1953 FE

J. Isaacs: The background of modern poetry G. Bell & Sons London 1951 Based on lectures “delivered in the B.B.C. Third Programme” 1948-49

Philip E. B. Jourdain: The Nature of Mathematics, The People’s Books SE 1919

Robert Lacey: Majesty – Elizabeth II and the House of Windsor 1977 Book Club Associates ed.

A.B.Mayne (Headmaster of the Cambridge and county High School for boys and open scholar of Balliol College, Oxford): The Essentials of School Geometry (with answers), Macmillan 1933 FE

E. A. G. Robinson: The structure of competitive industry Nisbet & Co. London / Cambridge University Press, 1946 reprint, first published 1931.

University of Durham College of Medicine: Calendar 1916-1917 This one and some of the others are signed by C. J. Colquhoun - seems to suggest old CJ was a student at the Durham College of Medicine, which was based at Newcastle?

Monday, December 29, 2025

music making for all

Some thoughts on

Divertimento
Marie-Castille Mention-Schaar
starring Lina El Arabi, Oulaya Amamra
France 2022
showing on TV5monde
trailer

I had this film on my films not shown wishlist for a while, and now managed to catch it on TV5 monde. The TV5 blurb only gave first names for the characters and made it look like fiction, so I only found out from the end credits that this is based on real events.

Twin sisters Zahia and Fettouma Ziouani grow up in the 1990s studying music and wanting to become professionals as conductor and cellist, respectively. Coming from an Algerian family in the Parisian social housing suburbs of Seine St. Denis, they face prejudice and open hostility at Paris conservatoires but manage to bridge the cultures, setting up an orchestra called Divertimento among other things.

I love the way the film reflects the single-mindedness of Zahia in particular. There is absolutely nothing in it that isn't related to playing music, either as a help or as a hindrance. Fettouma gets about two seconds of dreaming of quiet conversation with a potential love interest, but Zahia rather counts that as a hindrance too. After that it's music for all and all for the music again.

A musical cliché that the film should have avoided is the young cellist starting her practice with the first movement of the first cello suite. As youtuber Alexis Descharmes has pointed out in his series about cellists in movies many years ago, these bars account for the majority of cinematic cello-playing. Play the Bach suites by all means but there are so many other movements to choose from. I fear the flashmob orchestra performing Ravel's Bolero is also at risk of becoming too widely used, but in defence of this film, it was made before the other recent film that uses it, namely The Marching Band (En fanfare). Which covers a similar subject matter in an interestingly different way.

More interesting music to discover through the film includes Bacchanale by Saint-Saens, which incidentally you can see on YouTube performed by Divertimento, conducted by Zahia Ziouani.

PS Interestingly I had seen each of the two lead actresses separately in their previous films, Lina El Arabi in Les Meilleures, and Oulaya Amambra in Fragile, both dating from 2021. Which is why I had Divertimento on my list.

Update 8.1.2026 I just discovered a TV documentary / interview with Zahia Ziouani from 2016 on YouTube.

Sunday, December 28, 2025

bridges of folly

Some thoughts on

Folly Bridge: A romantic tale
by D. L. Murray
Hodder and Stoughton 1945

I used to think that the folly of Folly Bridge was the unusual house with the statues enshrined in the walls (No. 5 Folly Bridge) but this book taught me about the real folly, a gate tower that was actually sitting on the bridge and was known as Friar Bacon's Study until it was demolished in 1779. In the "romantic tale" the building burns down as a consequence of the fictional events related, set in two subsequent academic years the 1770s. Lord North shows up as Prime Minister (which he was between 1770 and 1782) and the timing is further narrowed down by the fact that another bridge, the Petty Pont across the Cherwell, is being rebuilt (1772-78) as the structure we now know as Magdalen Bridge. So let's say 1777-1779.

The story is an elaborated plot of students and robbers reminiscent of the 19th century robber romances around figures like Schinderhannes in Germany. The message seems to be that Oxford in that time was such a corrupting place that it turned an innocent boy from a village rectory into a hardened criminal within one academic year. So there's definitely more than one interpretation to the folly of the title. There doesn't seem to be much learning going on between the college dinners, academic ceremonies and church services. Towns folk only occur as mobs watching executions or seeking to fight with students, and the roles of Gypsies as criminals and a Jew as moneylender are also stuck in cliché.

I mainly read the book for the intriguing sights of 18th century Oxford, assisted by a historical map I happen to have (see photo below). Most of the places are genuine, but the college featured in the novel is imagined (as are the out of town locations Vailbury Park and Little Mildington). The imaginary Maryol College is on the site of the Cistercian Abbey of Rewley (behind today's Said Business School). At the dissolution of the monasteries, the last abbot of Rewley did suggest turning it into a college, so we're in the fictional world where that initiative succeeded.

Apart from the tower on the bridge (also accessible by boat via the pillars of the bridge), I also enjoyed the descriptions of the "Venetian quarter" with all the waterways around Oxford Castle (top left in the photo below), most of which have been filled in since. We should bring some of those back, if only to give the river space and prevent flooding. Speaking of waterways, the Oxford Canal was under construction in the 1770s, but still far from reaching Oxford. The last stretch into central Oxford was only opened in 1790. Accordingly, it doesn't get a mention in the book.

David Leslie Murray (1888-1962) was editor of the Times Literary Supplement in his day job. He has also written novels tied to other specific cities, including Regency (1936; Brighton) and Enter Three Witches (1942; London).

my copy of the book (it came without the dustjacket, which apparently shows Friar Bacon's study) on top of the historical map I used. Folly Bridge appears at the bottom of the photo. Own photo.

Saturday, December 27, 2025

a cello jigsaw

Pirate Luthier update

No new violins turned up this month, but I finally built up enough courage to open up instruments to repair cracks in the body, starting with the less lovely ones to practice on. Violin 13 opened up very nicely and made no trouble at all. Cello 2, a 3/4 instrument I received via freegle in January, was a bit trickier. The top had multiple cracks already, and seemed to be inclined to break into more pieces rather than detouch from the sides as it should.

The inside has been messed up to an extent that makes it look more like an art project:

I think the top is actually beyond hope, but I will keep using it to practice repair and patch technique. As for the rest, I am slightly tempted to use the neck and tailpin to build a Stroh cello. Looking out for a suitable piece of wood to make a solid body for that, and for the horn. I do have horns that might fit a violin but don't have a cello sized one yet.

Apart from the damage to the top, the instrument also has a label saying "Blessing" inside, which I think is a Chinese brand and not a good one. More of a curse than a blessing, I suspect. In very faint print it also says "Made in China" followed by the number 196 which I suspect may have been intended for the last figure of the year to be filled in manually.

 

I think this is definitely the last time I reproduce the full list, which is becoming too long.
Update 11.1.2026 I've now put the list on a permanent page which I'll update as I go along:
pirate luthier logbook

List of violins in the pirate luthier series:

violin 1) is the one my late aunt had since the 1930s, which got me started. After restoring it in November 2022, I played it almost every day for 14 months, until number 5) showed up.

violin 2) is a Stentor student 1 (a very widely used brand of cheap fiddles available everywhere and still being produced). I bought it very cheap on gumtree, mainly because I needed a case for number 1). It has a fault that is probably not worth repairing, see the blog entry on number 3) below. After stripping it of some accessories and spares, I am now inclined to keep it in a semi-functional state to try out experimental repairs, i.e. use it as a wooden guinea pig of sorts.

violin 3) came from a folkie friend who moved away. I put the soundpost back in its place and it has now found a new home.

violin 4) is a modern Chinese one which I bought from one musical friend and sold to another, no work needed.

violin 5) (donated by a friendly freegler) was my second favourite and the one I played in folk sessions for roughly a year until number 22) showed up.

violin 6) is the half-sized Lark which was one of the six violins I gave away on freegle in June 2024.

violin 7) is a skylark from 1991 which I bought on gumtree for £ 10 and fitted with a new bridge. Good enough for folk I would say. It was one of the six violins I gave away on freegle in June 2024.

violin 8) is the "ladies violin", a 7/8 skylark. It was one of the six violins I gave away on freegle in June 2024.

violin 9) is the one which needed a new bridge and a tailgut and turned out to sound quite lovely on the E string. It was one of the six violins I gave away on freegle in June 2024.

violin 10) is the 3/4 sized one with a broken neck and traces of multiple repair attempts, which I've now repaired. I kept it for a couple of months to check the neck stays in place, then gave it away to a good cause in June 2025.

violin 11) is the 3/4 sold by JP Guivier & Co Ltd. in the 1950s but may actually be older than that. It was one of the six violins I gave away on freegle in June 2024.

violin 12) is a full-size Lark which a freegle user kindly donated and delivered after seeing my offer. It was one of the six violins I gave away on freegle in June 2024.

violin 13) is still broken

violin 14) is a half-size Lark which I gave away to a good cause in June 2025.

violin 15) is a 3/4 size Stentor student 2, which I gave away to a local school in October 2024

violin 16) is the Sebastian Klotz branded one, sadly not made by the Mittenwald luthier, but by Yamaha Malaysia, who appear to have trademarked his name.

violin 17) is the supersized violin with a very strong sound.

violin 18) is the slightly drunken but nice sounding violin from Poland, which I restored and returned to its family.

violin 19) is a Stentor student 1 violin which only needed a little TLC, and within less than a week I had it brushed up and ready to move to our local school. The most intriguing problem it had was that somebody had put in the bridge the wrong way round, with the lower slope under the G string.

violin 20) is a Stentor student 1 violin I bought via GumTree. It sounds really nice for what it is, thanks in part to a good set-up with Dominant strings. I have labelled this one as an official Cowley Orchestra instrument.

violin 21) is a nameless student violin I bought via facebook, not quite sure what to think of it. The fingerboard is horizontal, which is all wrong and may mean there is not enough pressure on the bridge to produce a good sound.

violin 22) is the 19th century Guarneri copy, still my favourite, although I'll have to fix that crack at some point. Because of the crack I play it only at home and take number 24 to sessions.

violin 23) is a nameless student violin I bought from a charity shop. It looks unused but had no strings, so I set it up with a set of spare strings that came with another violin. It turned out to be no trouble at all and sounds ok for an instrument that looks really cheap (with the purfling painted on). It now lives with a young cellist in my neighbourhood who is keen to learn the violin as a second instrument.

violin 24) is the densely cratered one I found lying on a chair at Oxfam, and which I currently play at sessions.

violin 25) is the fleamarket find from Neuss

violin 26) is the lady in red, which has now rejoined its family.

violin 27) is the Czechoslovakian student model

violin 28) is the black one I found three minutes before number 29), so they're basically twins. It has now found a new home.

violin 29) is the odd-size one with the lovely rosewood tailpiece

violin 30) is the one with the lovely case which still awaits repair

violin 31) is the one with the whistle, which the owner now has lent out to a visiting student, so you might hear it being played in sessions.

Balance of violins as of 27.12.2025:
Of the 31 violins listed above, 8 received via freegle, 3 from friends and family, 16 bought (gumtree, facebook, charity shops, flea markets, cost ranging £ 10 to £45), 3 taken in for repair only and returned to their families, one taken in for repair but not done yet.
Of the 27 acquired, 8 given away via freegle, 2 given to a local school, 1 given away via a neighbourhood mailing list, 1 given to a folkie friend, 2 sold to musical friends, 1 moved to Germany for holiday practice, 11 currently in house and ready to play, 2 in house and still broken.

List of other instruments in the pirate luthier series:

cello 1) is the one I bought for my own use when old Heinrich moved out. As I changed the setup quite a bit, it does get a number.

cello 2) is a 3/4 instrument with serious cracks which I received via freegle, shown above.

cello 3) is the old German cello that I rescued and repaired. I'm now playing this daily at home while keeping number 1) in the bag for weekly orchestra use.

an old Irish banjo

guitar 1) is the 100 year-old one from Valencia which I set up with frets and strings and handed back to its owner.

guitar 2) is one I spotted in a charity shop "sold as seen" for a very affordable price with nothing more than a broken string, and I bought and repaired it because I knew the owner of the next one needed one while their guitar was out of service.

guitar 3) had a broken neck which I glued back on with hide glue at the same time when I repaired violin 10). It has now returned to its family.

the zither I found at the flea market in Dusseldorf and restored.

and finally a shout-out to our family-built hammered dulcimer, which dates from 2016, long before I got any ideas about violins.