A special delivery brought five instruments into the pirate luthier workshop at once, namely violins 35 and 36 and cellos 4-6. These instruments had been donated to a local youth orchestra but needed a bit of care to be made playable. I took on the cellos first, as there was a more immediate demand for those, so this post is only about the cellos.
Cello number 6) is a full-size cello made in Western Germany in the 1950s or 60s I would guess (see the label below). It had a bit of wood missing on the treble side of the shoulder, which I filled in. Not that I care about cosmetic repairs, but there was the risk of a player's sleeve getting caught in the sharp edge and ripping off more of the wood, so it was just an operation to make it smooth.
I also made a foot for it out of a cava cork (forgot to take a photo, but see cello 3). Otherwise it was fine, I happily played it for a week and got on well with it, so all good. The labels reveal that it was "Made in Western Germany" after Stradivarius 1713. Imported by Leslie Sheppard in the 1950s. It has now returned to the good people looking after that youth orchestra.
Cello 5) is a 3/4 cello that was brandnew and in my opinion has never been playable, because the pegs didn't fit quite into the pegholes all the way, so they didn't have enough wood surface to grip on. Which explains why at least one was absolutely unusable. In the end I widened the holes for 3 of the pegs to make sure they are functional. Similar story with the endpin hole - that was too narrow and left the endpin plug sticking out by half a centimeter. More of an aesthetic problem, but I adjusted that as well. And lowered the bridge by half a centimeter.
My overall impression was that the company that sold this instrument just plugged together the parts as they came in from different factories, without ever checking if the combination resulted in a playable instrument. That one is now also back with the owners.
Cello 4) is a half-size one which has a few bits of wood missing which I may or may not fill in and which more importantly has lost all the metal parts of its endpin, leaving only the wooden plug. So it does hold the strings alright but you would have to support it with your legs if you wanted to play it. That can be done but it's not everybody's idea of fun. Endpins come in various sizes that aren't necessarily standardised, and vendors online don't necessarily reveal the crucial measure I need to know, namely the maximal diameter of the wooden conical bit, so I am still looking for the right one to fit this instrument at a price that doesn't exceed the value of the cello itself.
endpin plug of half-sized cello 4) in comparison to the complete endpin of 3/4 cello 2), which has in fact a bigger plug than eg full-size cello 3). It's all very confusing.
NB I've now moved the list of instruments that pass through my pirate luthier workshop to a permanent page which I will update whenever necessary, independent of the blog entries.
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